In the face of the increasing Mapuche migration to the urban centers of the country, and the necessary adaptation that this implies, we will explore some of their concerns and imaginaries expressed in street painting and muralism, made from the Mapuche and/or non-mapuche strokes Mapuche, as well as how certain icons of his world are portrayed as a stereotyped and acquired communication code, but which give an account of an urban and public protagonism from which to give an account of a territorial ritual of expression, representation and presence.