All intercultural representation is the result of a complex construction process, where the producer of the image passes on forms and contents of one’s own culture in its representation of the other. In this work, we reflect on the construction of the Mapuche image in film and video, based on a critical look at the traditional ways of characterizing documentary and fiction cinematographic genres.
Construction of the mapuche image in film and video: the fiction-documentary binomial.Abstract in spanish
Keywords: Cinema,audiovisual,Mapuches,cinematographic genres.
Author: Gastón Carreño. Antropólogo. Director Núcleo de Antropología Visual. Universidad Academia de Humanismo Cristiano.
Received: January 15th, 2003, Accepted: July 08th, 2003
Revista Chilena de Antropología Visual - número 3 - Santiago, Julio 2003 - 181/193 pp.- ISSN 0718-876x. Rev. chil. antropol. vis.