El biologicismo estadounidense a través de Crash.

This work examines biologicism (racism) in the United States based on the film Crash. The instrumental-material nature of the phenomenon pointed out by various authors is also recognized in the film. Biologicism simultaneously moves through the planes of the obvious and the hidden. In the first, it acquires the profile of a structuring and decomposing factor of relationships, although formally it is abstract. In the second, it acts as an element that blocks the recognition of social classes, their relationships, training processes and labor hierarchies. Thus, biologicalism is a vehicle through which the interests of the hegemonic classes are promoted, and which results in the recreation and perpetuation of capitalist social relations of production.

DOI: http://doi.org/10.47725/RAV.031.08

Palabras Claves
essentialization
instrument
guiding principle
social classes.
Autor
Juan Manuel Zeballos. Licenciado en Historia y doctorando en Antropología Social por la Universidad Nacional de Córdoba. Docente de la misma institución. https://orcid.org/0000-0002-0038-7626
Recibido
Aceptado
Revista de Antropología Visual - número 31 - Santiago, 2023 -1/19 pp.- ISSN 2452-5189