The following research analyzes the graphic work on the New World by Theodore De Bry under the assumption that it contains a general proposal on the Indies. This research is an attempt to discuss partial readings on De Bry’s artwork in favor of the idea that the Flemish engraver takes place within a "battle of images" from which the engraver fights for certain "division of the sensible". In our reading, the Indian graphic representation made by De Bry does not operate as a comment to a narrative discourse, on the contrary, it is articulated as an autonomous political discourse about the new continent.