This article inquires about the transmission of knowledge strategies around crocheted in the domestic space, movement strategies and the conditions that have been built as needed for their realization. From the study of tissues in the domestic space, the stories of women living in Valle la Piedra II that produce and representation document- distribution and placement maps in space- is proposed to understand the practice of crochet and implications with the spaces which have been confined to women in the neighborhood. It is concluded that the mode of transmission of knowledge and discretion from which tissues are produced, which is a space of female subversion. It is proposed that an anthropological reflection probes the silences and aesthetic productions of women excluded from the life of the consumer market and work in the borough.