Otredad y permanencia: Los usos de la fotografía histórica en la exposición contemporánea del indígena y el bosque amazónico.

The renewed interest that historical photography of the Peruvian Amazon has awakened in the social sciences and cultural and artistic projects encouraged us to explore the importance that these images, produced between the late 19th and the early 20th century have acquired in the construction of a contemporary narrative regarding the Amazonian indigenous peoples and the Amazonian forest. The analysis of these photographs is even more relevant in the current setting, marked by the public debate emerged at the increasing pressure that the Peruvian government and external agents have on the Amazon region and its natural resources. In this regard, early visual representations of the Amazonian indigenous peoples and the Amazonian forest, shown in recent photo exhibitions, allow us to reflect on how the Amazon is being integrated into contemporary national imaginary.

Palabras Claves
Amazon
archive
exhibit
indigenous
photography.
Autor
Juan Carlos La Serna. Historiador por la Universidad Nacional Mayor de San Marcos. Trabaja como docente del Programa de Estudios Generales de la Universidad de Lima e investigador en la Dirección de Patrimonio Inmaterial del Ministerio de Cultura (Lima, Perú).
Autor
Valeria Biffi. Antropóloga por la Pontificia Universidad Católica del Perú; tiene un máster en sociología por la London School of Economics and Political Science. Se desempeña como docente de la Maestría de Antropología Visual en esta misma universidad (Lima, Perú).
Recibido
Aceptado
Revista Chilena de Antropología Visual - número 27 - Santiago, Julio 2016 - 119/139 pp.- ISSN 0718-876x. Rev. chil. antropol. vis.