From the image as a trace to the image as an encounter. From the image as a trace to the image as an encounter. 22-39 pp. Roger Canals. Laura Cardús.
Internet: research instrument and field of study for visual anthropology. Internet: research instrument and field of study for visual anthropology. 1-21 pp. Adolfo Estalella. Elisenda Ardévol.
Junquillar: "Trees, rurality and forests". Junquillar: "Trees, rurality and forests". 136-159 pp. Iván Aguilera. Diego Planells. Wladimir Troncoso.
Workers of the XV de Novembro: reflections on social relations in the streets of Curitiba. Workers of the XV de Novembro: reflections on social relations in the streets of Curitiba. 114-135 pp. Flávio Henrique Silva e Sousa.
Embodying the image; imagining the body. A feminine body analysis on the revolutionary Cuban imaginary. Embodying the image; imagining the body. A feminine body analysis on the revolutionary Cuban imaginary. 93-113 pp. Henry Eric Hernández.
Photographing the Cooperative, mark the spaces. Collaborative research experiences with neighbors of Cooperative AR.PE.BO.CH., Córdoba (Argentina). Photographing the Cooperative, mark the spaces. Collaborative research experiences with neighbors of Cooperative AR.PE.BO.CH., Córdoba (Argentina). 65-92 pp. Ivana Bartolozzi. Silvia Ayelén Koopmann.
Audiovisuals and anthropology: theoretical accuracy. Audiovisuals and anthropology: theoretical accuracy. 49-64 pp. Manuel Salinas.
Images of the northeast, the northeast of images. Field notes about the power of nomination, ‘participant video’ and the image of ‘quilombola’. Images of the northeast, the northeast of images. Field notes about the power of nomination, ‘participant video’ and the image of ‘quilombola’. 33-48 pp. Peter Anton Zoettl.
The black population from São Paulo and self-representation in cartes de visite produced by the Photographia Americana (1875-1885). The black population from São Paulo and self-representation in cartes de visite produced by the Photographia Americana (1875-1885). 16-32 pp. Marcelo Eduardo Leite.
Lake Neltume: Filming immersed in an environmental conflict as a tool of resistance. Lake Neltume: Filming immersed in an environmental conflict as a tool of resistance. 146-162 pp. Felipe Hasen.