Reality makeup. The "realism" of the indigenous in the film “Cautiverio Feliz”. Reality makeup. The "realism" of the indigenous in the film “Cautiverio Feliz”. 175 pp. Valentina Raurich.
On the visual rhetoric of "Cautiverio Feliz": a practical exercise in the anthropology of cinema. On the visual rhetoric of "Cautiverio Feliz": a practical exercise in the anthropology of cinema. 138 pp. Guillermo Molina.
Traces of the wonderful tale, morphological analysis of the film "Wichan: the Judgment". Traces of the wonderful tale, morphological analysis of the film "Wichan: the Judgment". 137 pp. Felipe Maturana Díaz.
"In the shadow of the sun" and the twilight of history’s times. "In the shadow of the sun" and the twilight of history’s times. 119 pp. Francisco Gallardo Ibáñez.
The western patagonian: the image of the native american in the image Selknam. The western patagonian: the image of the native american in the image Selknam. 118 pp. Gastón Carreño.
The transfiguration of the indigenous image. The artist, his work and the spectator. The transfiguration of the indigenous image. The artist, his work and the spectator. 117 pp. María Paz Bajas.
The aesthetic transposition of the image of the mapuche native: from the literary text to the cinematic image. The aesthetic transposition of the image of the mapuche native: from the literary text to the cinematic image. 116 pp. Margarita Alvarado.
An experience to investigate filming. An experience to investigate filming. 172-184 pp. María Pozzio.
