Chile in the imaginary cinema of the boom (1997-2004). Chile in the imaginary cinema of the boom (1997-2004). 121-142 pp. María Paz Peirano.
Anthropology and image in and from the periphery. Anthropology and image in and from the periphery. 111-120 pp. Marián Moya, Camila Alvarez, Paulo Campano, Débora Lanzeni & Soledad Torres
The Dogon and Wayana representation in the french web: subsidy for a cultural critic. The Dogon and Wayana representation in the french web: subsidy for a cultural critic. 94-110 pp. Paula Morgado. Denise Dias.
Us and the others in the mapuche documental. Perceptions of a mapuche community about audiovisual image. Us and the others in the mapuche documental. Perceptions of a mapuche community about audiovisual image. 75-93 pp. Samuel Linker.
Communication, translation and otherness: images and investigation among the Bororo of Mato Grosso, Brazil. Communication, translation and otherness: images and investigation among the Bororo of Mato Grosso, Brazil. 60-74 pp. Edgar da Cunha.
Indigenous Peoples and their representation in documentary genre: a look to the case aymara and mapuche. Indigenous Peoples and their representation in documentary genre: a look to the case aymara and mapuche. 47-59 pp. Gastón Carreño.
Working images. Meditate Toward an Applied Visual Anthropology. The case of the Project International Juvenile Neighborhoods of the World, and their talkative focus. Working images. Meditate Toward an Applied Visual Anthropology. The case of the Project International Juvenile Neighborhoods of the World, and their talkative focus. 24-46 pp. Carlos Cárdenas.
Azapa: Ethnography, Party and Death. Azapa: Ethnography, Party and Death. 7-23 pp. César Borie. Gerardo Mora.
Design of the ethnography and ethnography of the design. Design of the ethnography and ethnography of the design. 60-70 pp. Nicolás Guigou.
Canto a lo Divino: the Key of the Heaven. Canto a lo Divino: the Key of the Heaven. 136-151 pp. Damián Duque & Paulo Gutiérrez.