Revista de Antropología Visual | ISSN: 2452-5189

Opaque eyes. An insight on the figure of the victim in the photographic account of the Comission of Truth and Reconciliation of Peru.

Opaque eyes. An insight on the figure of the victim in the photographic account of the Comission of Truth and Reconciliation of Peru.

103-126 pp.

Lizbeth Arenas.

The camera in hands of the other. The stereotype in indigenuos mapuche video.

The camera in hands of the other. The stereotype in indigenuos mapuche video.

70-102 pp.

María Paz Bajas.

A home in foreign land: Space and sociability at a femenine student’s house.

A home in foreign land: Space and sociability at a femenine student’s house.

48-69pp.

Fábia Berlatto.

Ana Luisa Fayet.

Reflections about the work of Mekas and the cinematic essay as ethnography.

Reflections about the work of Mekas and the cinematic essay as ethnography.

31-47 pp.

María Paz Peirano.

Glamour in the Andes: The Representation of Indigenous Migrant Women in Peruvian Cinema.

Glamour in the Andes: The Representation of Indigenous Migrant Women in Peruvian Cinema.

1-30 pp.

Iliana Pagán-Teitelbaum.

Memorial: Places of worship concerning processes of memory.

Memorial: Places of worship concerning processes of memory.

164-187 pp.

Felipe Hasen.

Diego Sandoval.

Intimate Picture: Arauco War.

Intimate Picture: Arauco War.

129-163 pp.

Claudia Astete.

Imaginary territories of domesticity. Daily Life in the feminine magazines 1930-1950: the case of Margarita.

Imaginary territories of domesticity. Daily Life in the feminine magazines 1930-1950: the case of Margarita.

104-128 pp.

Francisca Pérez.

Carmen Gloria Godoy.

Narratives of the image: Memory, relate and photograph.

Narratives of the image: Memory, relate and photograph.

79-103 pp.

Gabriela Raposo.

The cult of deads: the ancient nordic mythology in the modern cinema.

The cult of deads: the ancient nordic mythology in the modern cinema.

61-78 pp.

Maximiliano Korstanje.