Creating new images about the Others in Andean Colonial rock art. Creating new images about the Others in Andean Colonial rock art. 17-36 pp. Marco Antonio Arenas. José Luis Martínez.
Photojournalism and El Cordobazo. Photographic treatment and its shift from tradition to modernization. Photojournalism and El Cordobazo. Photographic treatment and its shift from tradition to modernization. 42-66 pp. Lucía Ulanovsky.
In and out of frame. Representation and alterity in Chilean indigenous photography. In and out of frame. Representation and alterity in Chilean indigenous photography. 1-41 pp. Margarita Alvarado. Carla Möller.
Houses, cabins and tents: the housing of the Innu people of Sheshatshiu, Labrador, Canada. Houses, cabins and tents: the housing of the Innu people of Sheshatshiu, Labrador, Canada. 164-184 pp. Carolina Tytelman. Damián Castro.
Music and visibility among Mixtec in San Quintín. Music and visibility among Mixtec in San Quintín. 133-163 pp. Everardo Garduño. Carolina Mata. Alejandra Navarro.
Terror images in Colombia: Thoughts about photographics documents in violence scenaries in Colombia. Terror images in Colombia: Thoughts about photographics documents in violence scenaries in Colombia. 119-132 pp. Juan José Correa.
Theoretical and methodological reflections on the use of photography in social research: Middle-class identities and piquetera memory in the Pueyrredón Bridge (Avellaneda, Buenos Aires, 2002-2009). Theoretical and methodological reflections on the use of photography in social research: Middle-class identities and piquetera memory in the Pueyrredón Bridge (Avellaneda, Buenos Aires, 2002-2009). 95-118 pp. Ana Laura Lobo.
The art of indigenous video in the Andes. The art of indigenous video in the Andes. 76-94 pp. Mónica Villarroel.
Visual archaeology, the case of the forgotten films of Pedro Sienna. Visual archaeology, the case of the forgotten films of Pedro Sienna. 59-75 pp. José Santa Cruz.