Revista de Antropología Visual | ISSN: 2452-5189

International school of Cinema of San Antonio de los Baños, an experience of collaboration with the indigenous video of Latin America.

International school of Cinema of San Antonio de los Baños, an experience of collaboration with the indigenous video of Latin America.

169-182 pp.

María Julia Grillo.

Walking towards our own image representation.

Walking towards our own image representation.

145-168 pp.

Jeannette Paillan.

The self-representation has become a necessity in the indigenous video: to protect the collective property.

The self-representation has become a necessity in the indigenous video: to protect the collective property.

136-144 pp.

Amado Villafaña Chaparro.

Indigenous filmmakers of Ecuador, an integral practice of "cosmoexperience".

Indigenous filmmakers of Ecuador, an integral practice of "cosmoexperience".

118-135 pp.

Eliana Champutiz.

The indigenous video, a life project, an ideology, a political attitude.

The indigenous video, a life project, an ideology, a political attitude.

104-117 pp.

Juan José García.

Video nas aldeias, a cultural proposal of seduction.

Video nas aldeias, a cultural proposal of seduction.

51-63 pp.

Vincent Carelli.

Using audiovisuals as a survival and fighting strategy, to create and recreate their own imaginary.

Using audiovisuals as a survival and fighting strategy, to create and recreate their own imaginary.

32-50 pp.

Iván Sanjinés Saavedra.

CLACPI: A story that is about to celebrate 30 years of existence.

CLACPI: A story that is about to celebrate 30 years of existence.

20-31 pp.

Beatriz Bermúdez Rothe.

The experience as a mean of knowledge from a visual anthropology.

The experience as a mean of knowledge from a visual anthropology.

1-19 pp.

María Paz Bajas Irizar.

Of knowledge and hatched in the Domestic Space. Knitted Crochet on Valle la Piedra II, Chiguayante of Chile.

Of knowledge and hatched in the Domestic Space. Knitted Crochet on Valle la Piedra II, Chiguayante of Chile.

174-191 pp.

Carolina Maturana Fuentealba.