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Revista de Antropología Visual

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The Representations of Miraña girls and boys in a Tikuna community.

The Representations of Miraña girls and boys in a Tikuna community.
92-111 pp.
Ronald Quintana.

Oasis and deserts: visualizing the conformation of San Rafael Discrict during the first middle of the XX century (Mendoza, Argentina).

Oasis and deserts: visualizing the conformation of San Rafael Discrict during the first middle of the XX century (Mendoza, Argentina).
72-91 pp.
Cecilia Pérez.

Chinese boxes. Photos inside photos, or photos as things.

Chinese boxes. Photos inside photos, or photos as things.
44-71 pp.
Natalia Fortuny.

For an epistemology of the body: An approach from postmodern ethnography to the concept of ciné-trance. Analysis of the film Moi, un Noir (Rouch, France, 1958).

For an epistemology of the body: An approach from postmodern ethnography to the concept of ciné-trance. Analysis of the film Moi, un Noir (Rouch, France, 1958).
22-43 pp.
Natalia Möller.

The New Argentine Cinema in the 1960S. Ideology and utopia of cinema as a revolutionary weapon.

The New Argentine Cinema in the 1960S. Ideology and utopia of cinema as a revolutionary weapon.
1-21 pp
Juan Pablo Silva.

A visual research experience: the ceremonial songs of Concheros.

A visual research experience: the ceremonial songs of Concheros.
191-207 pp.
Ivork Cordido Demartini.
Nilda Bermúdez Bríñez.

The last chilean whale ship. An historical ethography of Juan 9 (Macaya Hnos. & Cia).

The last chilean whale ship. An historical ethography of Juan 9 (Macaya Hnos. & Cia).
166-190
Daniel Quiroz.
Gastón Carreño.
Alvaro Guerrero.

The spaces of craft creation: the case of tonaltecas ceramic workshops in Mexico.

The spaces of craft creation: the case of tonaltecas ceramic workshops in Mexico.
161/175 pp.
Vanessa Freitag.

Personal pictures: the street art as a communication tool.

Personal pictures: the street art as a communication tool.
140-160 pp.
Brian Gray.

Maracatu and youth identity processes: the plot construction of the newness in the social environment of tradition and experience.

Maracatu and youth identity processes: the plot construction of the newness in the social environment of tradition and experience.
113-139 pp.
Valéria Silva.

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